I read Ibsen's "A Doll's House" last night. I admit I've never enjoyed plays the same way that I enjoy prose, but it was fantastic. The freedom that comes from developing characters through their own words made it seem a lot easier, but I'm sure a play is harder to write. The characters, his portrayal of their relationship, and most of all his description of guilt is so suddenly universal. In one minute you're moving from an Act of a play to a very real, very common household situation that seems could be your own. He describes Helmer's complete misunderstanding of Nora's charachter so brilliantly. The patronage. The anger. The expectations. The loss he is at when he sees her change. And I admit, I've come to appreciate strong endings by realizing how terribly difficult they are to write.Fantastic play. And I got it for only 30 rupees too. I've always wanted to read Ibsen since Ayn Rand mentioned him in The Fountainhead.
I'm an arsonist at heart. I light fires tentatively, with much trepidation and little tolerance for heat. I shy away from the ensuing flame, and usually panic when it reaches my hand. I've only let a matchstick burn to my fingertips once, and that was just to find out how it felt. But I'm an arsonist at heart. I look at the oil slick, curving its way from the car. Its bends are lazy, pronounced. Like a section of a river that flows slowly over the ground, knowing its reduced speed, almost enjoying it. The slick is thick in clusters, where the bubbles inside the oil almost threaten to burst. The oil dries away before it reaches me, its riverbank a small lump of gravel that the oil bubbles collect against, rising in number, like a protest that goes on eternally. I just stare at the oil. It looks so inviting, so delicious. A matchstick might be enough, a box of matchsticks better. A lit up Zippo might have been perfect. I'm scared of flames. I've sprayed deodorant at c...
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